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    The main IP address: 79.170.44.81,Your server United Kingdom,Nottingham ISP:Heart Internet Ltd  TLD:uk CountryCode:GB

    The description :skip to content close menu drawing printmaking painting sculpture tuition book cv mark youd …rhymes with loud. drawing printmaking painting sculpture tuition book cv menu maquette for “psyche viii” ga...

    This report updates in 12-Nov-2018

Created Date:17-Nov-2010
Changed Date:22-May-2017

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Latitude: 52.953601837158
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Country: United Kingdom (GB)
City: Nottingham
Region: England
ISP: Heart Internet Ltd

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skip to content close menu drawing printmaking painting sculpture tuition book cv mark youd …rhymes with loud. drawing printmaking painting sculpture tuition book cv menu maquette for “psyche viii” gallery , sculpture november 7, 2018 maquette for “psyche viii” – plaster, 52cm high. psyche vii gallery , printmaking october 15, 2018 “psyche vii” drypoint, 40x30cm. psyche vi gallery , printmaking october 5, 2018 “psyche vi” monoprint, 40x30cm psyche v gallery , printmaking september 27, 2018 “psyche v” woodcut, 40x30cm. psyche iv gallery , printmaking september 13, 2018 “psyche iv” monoprint, 40x30cm. psyche iii gallery , printmaking september 1, 2018 “psyche iii (dissociate)” lithograph monotype collage, 30×22.5cm psyche ii gallery , printmaking august 7, 2018 “psyche ii (starling)” – drypoint print on plaster, 28x21cm. psyche i gallery , printmaking july 30, 2018 “psyche i (scatter)” – drypoint print on plaster, with acrylic and sgraffito. 28.5x20cm fragment lix gallery , sculpture march 23, 2018 “fragment lix” – plaster, steel rod, 44 cm high. the fragments series attempts, by the deconstruction of the portrait, to explore what lies beyond the physical and the individual, to discover what is essentially and universally human. if we strip-away all that is unnecessary for our existence we would be left with nothing but the earth we stand on, and so the landscape is an integral part of this work. from the textures of rock and bark and the restricted palette of earth colours, to the vigorous technique of scraping the painted and sculpted surface with sandpaper and knives calling to mind the processes of erosion and corrosion, these figures are inseparable from their environment. i’m not a traditional portrait artist, i’m not trying to describe a certain person, rather i’m interested in humanity in general, therefore very few of my paintings and sculptures include eyes, which would immediately tie the work to an individual. the portrait is further abstracted, sometimes with a sense of fluidity, examining the effect of motion on the face, other times in a geometric fashion, suggestive of the broken reclics of ancient civilisations. however, by ensuring that the subject has a sense of volume, weight and substance, i hope that what is revealed by deconstructing the portrait might be just as tangible. the viewer is encouraged to look beyond the surface features, to continue the process of stripping-away the unnecessary and consider ideas of mental health, identity, spirituality, the soul and our connection with the earth. the fragmentation of the portrait is sometimes uncomfortable because it deals with the fragility of existence. fragment lviii gallery , sculpture march 5, 2018 “fragment lviii” – plaster, steel rod, 25 cm high. the fragments series attempts, by the deconstruction of the portrait, to explore what lies beyond the physical and the individual, to discover what is essentially and universally human. if we strip-away all that is unnecessary for our existence we would be left with nothing but the earth we stand on, and so the landscape is an integral part of this work. from the textures of rock and bark and the restricted palette of earth colours, to the vigorous technique of scraping the painted and sculpted surface with sandpaper and knives calling to mind the processes of erosion and corrosion, these figures are inseparable from their environment. i’m not a traditional portrait artist, i’m not trying to describe a certain person, rather i’m interested in humanity in general, therefore very few of my paintings and sculptures include eyes, which would immediately tie the work to an individual. the portrait is further abstracted, sometimes with a sense of fluidity, examining the effect of motion on the face, other times in a geometric fashion, suggestive of the broken reclics of ancient civilisations. however, by ensuring that the subject has a sense of volume, weight and substance, i hope that what is revealed by deconstructing the portrait might be just as tangible. the viewer is encouraged to look beyond the surface features, to continue the process of stripping-away the unnecessary and consider ideas of mental health, identity, spirituality, the soul and our connection with the earth. the fragmentation of the portrait is sometimes uncomfortable because it deals with the fragility of existence. fragment lvii gallery , sculpture february 8, 2018 “fragment lvii” – jesmonite, 27 cm long, unique edition. the fragments series attempts, by the deconstruction of the portrait, to explore what lies beyond the physical and the individual, to discover what is essentially and universally human. if we strip-away all that is unnecessary for our existence we would be left with nothing but the earth we stand on, and so the landscape is an integral part of this work. from the textures of rock and bark and the restricted palette of earth colours, to the vigorous technique of scraping the painted and sculpted surface with sandpaper and knives calling to mind the processes of erosion and corrosion, these figures are inseparable from their environment. i’m not a traditional portrait artist, i’m not trying to describe a certain person, rather i’m interested in humanity in general, therefore very few of my paintings and sculptures include eyes, which would immediately tie the work to an individual. the portrait is further abstracted, sometimes with a sense of fluidity, examining the effect of motion on the face, other times in a geometric fashion, suggestive of the broken reclics of ancient civilisations. however, by ensuring that the subject has a sense of volume, weight and substance, i hope that what is revealed by deconstructing the portrait might be just as tangible. the viewer is encouraged to look beyond the surface features, to continue the process of stripping-away the unnecessary and consider ideas of mental health, identity, spirituality, the soul and our connection with the earth. the fragmentation of the portrait is sometimes uncomfortable because it deals with the fragility of existence. fragment lvi gallery , sculpture february 8, 2018 “fragment lvi” – bronze, 24cm high, edition of 3. the fragments series attempts, by the deconstruction of the portrait, to explore what lies beyond the physical and the individual, to discover what is essentially and universally human. if we strip-away all that is unnecessary for our existence we would be left with nothing but the earth we stand on, and so the landscape is an integral part of this work. from the textures of rock and bark and the restricted palette of earth colours, to the vigorous technique of scraping the painted and sculpted surface with sandpaper and knives calling to mind the processes of erosion and corrosion, these figures are inseparable from their environment. i’m not a traditional portrait artist, i’m not trying to describe a certain person, rather i’m interested in humanity in general, therefore very few of my paintings and sculptures include eyes, which would immediately tie the work to an individual. the portrait is further abstracted, sometimes with a sense of fluidity, examining the effect of motion on the face, other times in a geometric fashion, suggestive of the broken reclics of ancient civilisations. however, by ensuring that the subject has a sense of volume, weight and substance, i hope that what is revealed by deconstructing the portrait might be just as tangible. the viewer is encouraged to look beyond the surface features, to continue the process of stripping-away the unnecessary and consider ideas of mental health, identity, spirituality, the soul and our connection with the earth. the fragmentation of the portrait is sometimes uncomfortable because it deals with the fragility of existence. study for a fragment viii drawing , gallery november 9, 2017 “study for a fragment viii” – ink on scratched plastic, 40x30cm, unique. these studies are an opportunity for me to experiment wit

URL analysis for markyoud.co.uk


http://www.markyoud.co.uk/psyche-viii/
http://www.markyoud.co.uk/652-2/
http://www.markyoud.co.uk/fragment-xxxi/
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Heart Internet Ltd t/a Heart Internet [Tag = HEARTINTERNET]
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Last updated: 22-May-2017

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